10 Ways Production Accountants Can Find Their Next Job
The quiet week that feels too quiet
Your wrap binders are done. The last cost report is in. The UPM has stopped pacing past your door.
Then it hits: you are between shows, the text threads have gone quiet, and the job boards feel like a graveyard. It’s a familiar moment in production accounting, and lately, it’s showing up more often and lasting longer. So, how do production accountants consistently find production accounting jobs, even when job boards are quiet?
What has changed about getting hired
Not long ago, the usual routine worked: check job boards, scan union lists, ping a few producers, maybe hear from a studio recruiter. Now jobs often disappear into other people’s calendars before they ever hit a public posting, a shift explored in more detail in our look at how production accountant placement is changing.
Studios and producers pull first from their own short lists and the tools they already have open on their screens. If you are not visible there, it can feel like work dried up overnight, even when productions are quietly staffing up.
1. Treat your network like a living project
Networking is not a once a year coffee. It is the ongoing conversations with the people who have actually seen you close a show cleanly.
Between projects, reach out to producers, UPMs, and keys you trust with a short, direct note: what you just wrapped, what level you are targeting next, and when you are available. When in person events come up, like GreenSlate mixers or industry panels, treat them as low pressure chances to check in with people you already know and casually meet a few new faces. One or two real conversations at an event can do more for your next production accounting job than a dozen cold emails.
2. Let producers carry you to the next show
One of the best “job boards” you will ever have is a producer who wants you back. When a show goes well, many production accountants are simply carried straight onto the next season or project.
That happens when you are more than the person who processes payables. Producers remember the accountant who flagged issues early, kept approvals clear, and avoided last minute fire drills. Those are the people they call first when a pilot gets picked up or a new production is greenlit.
3. Stay on the radar of studio finance
Finance execs may not have “recruiter” in their title, but they absolutely influence who gets staffed.
If you have worked under a studio finance lead, do not wait for them to track you down. When a show is ramping down, send a concise update that reminds them where you worked together, highlights any relevant wins, and shares your upcoming availability. It is a simple way to turn “great working with you” into “we should bring you in on this next one.”
4. Put yourself on the GreenSlate A-List
The GreenSlate A-List grew out of a simple reality: studios still need an easy way to see who is available and ready, even without internal recruiters.
Accountants who want to be included sign up once, submit an updated production accountant resume, and confirm that they have either worked on a GreenSlate show or completed a GreenSlate Pro Training class. Each month, GreenSlate texts to confirm who is actually available, then sends that current list and resumes directly to studios hiring on GreenSlate productions. Studios reach out straight to the accountants they want to talk to.
5. Use job boards as a supporting player
Most production accountants still keep an eye on union lists, Facebook groups, and a handful of platform job boards.
On their own, these channels can feel like a shot in the dark, but it would be strange to ignore them completely. Treat them as one more way to stay in the mix, especially for freelance or shorter term roles, while tools like the A-List handle the more direct, curated visibility to studios.
6. Make Facebook groups actually work for you
The production accounting Facebook groups for LA, New York, New Mexico, Atlanta, Canada, and beyond are where many people quietly fill seconds, clerks, and payroll assistant roles.
Instead of lurking, participate. Share when you are wrapping, comment with your availability on threads where it makes sense, and be specific about your experience level. People remember a helpful voice far more than a one time “available” post.
7. Reconnect with the teams that already know you
For seconds, payroll assistants, and clerks, the fastest way onto the next show is often the most obvious: ask the people you have already worked for. Shannon Stone, GreenSlate Accountant Engagement Specialist, puts it simply: “Reaching back out to their old accountants, their old teams that they have worked for” is still one of the most reliable moves.
A short, clear email can be enough: remind them which show you worked on, what you handled, and when you are free. When they are asked whether they know anyone good, you want your name to be in their inbox, not just in their memory.
8. Make your availability incredibly easy to share
In this market, visibility is not just “I posted once.” It is about being easy to find and even easier to forward.
GreenSlate’s A-List helps centralize that signal. Studios receive a clear, current list of accountants who are available now and already know or have trained on the GreenSlate platform. That gives them confidence that you can step into a GreenSlate show and start working in the same system everyone else is using, without weeks of ramp-up.
9. Use downtime to level up, not just catch up
Yes, you deserve a breather when a show wraps. You also know that jobs often go to the people who were already sharpening their tools between projects.
Downtime is a smart moment to take a GreenSlate Pro Training class, explore time-saving features for reporting, or get more fluent with digital workflows. GreenSlate Pro Training classes are also a great place to meet other accountants who are between shows, compare experiences, and share leads. Those conversations often turn into real connections for your next production accounting job.
10. Build a system so you are not relying on luck
Finding your next production accounting job will always involve some timing and a little luck. But it should not feel like throwing darts at a board and hoping for the best.
The accountants who stay consistently employed use multiple tracks at once: ongoing conversations with producers and UPMs, check-ins with studio finance, participation in Facebook groups and job boards, and structured tools like the GreenSlate A-List that put their resume in front of studios every single month. That mix keeps you in circulation even when the market feels tight.
To find production accounting jobs today, focus on moves that keep you visible where producers and studios actually look, not just on public job boards. Use a mix of relationships, targeted tools, and skill-building so you are easy to hire when the next show gears up.
Core actions:
- Keep in steady contact with producers, UPMs, and finance execs
- Join and stay current on the GreenSlate A-List
- Participate actively in production accounting Facebook groups and niche boards
- Reconnect with past teams and leads before and after wrap
- Use downtime to upgrade skills with GreenSlate Pro Training and digital workflows
What you can do this week
If you are between shows or see a wrap date coming, take an hour to set yourself up. Update your resume, send two or three short check-ins to people you trust, and sign up for the GreenSlate A-List for the month you expect to be available.
When you are ready to move from “hoping something pops up” to having a clear plan for your next production accounting job, connect with GreenSlate to see how the A-List and GreenSlate Pro Training can help you stay visible, prepared, and at the top of the list when the next show gears up.
Want your name on the list studios are actually reading? Sign up for the GreenSlate A-List and check out the current GreenSlate Pro Training classes before your next show ramps up.Related Posts
Access our blog for the inside scoop on what’s happening around the production office.
Get The Best of The Blog
Get the best of the GreenSlate blog once a month in your inbox by signing up for our GreenSlate Newsletter.
“If you're not using GreenSlate for processing production payroll, then you're not thinking clearly. We run about 10–12 productions a year and have used several of their competitors. I've put off sharing this as I've truly felt they've been a competitive advantage.”
Jeffrey Price
CFO at Swirl Films, LLC
